![]() ![]() Following the discussions at the workshop, this paper provides an overview of the different methods of the involved disciplines and their potential contributions to developing music technology for health and well-being. In an effort to strengthen the collaboration between the involved disciplines, the workshop ‘Music, Computing, and Health’ was held to discuss best practices and state-of-the-art at the intersection of these areas with researchers from music psychology and neuroscience, music therapy, music information retrieval, music technology, medical technology (medtech) and robotics. The fields of music, health, and technology have seen significant interactions in recent years in developing music technology for health care and well-being. User eXperience (UX) when developing digital music instruments in ubimus That could be used as initial set of interaction design guidelines for improving ![]() ![]() It is our intention to point some ideas, concepts and principles Signals and finally (v) usage of (true) imitation as an strategy to musical learningĪnd communication. Gestures and movements (iv) ability to recognize and synchronize with auditory Physicality of musical instruments (ii) consciousness achieved when skills andĬhallenges are in equilibrium during musical learning (iii) natural mappings of That can be applied to ubimus interaction design including (i) materiality and Paper, we present a preliminary discussion on five main aspects of human nature On the limited support HCI offers to the design of ubimus technology. Notion that music cognition could have a biological basis, and this fact reflects Until recently, most scholars were wary of the All humans share a predisposition for music even those who consider ![]()
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